Influences of My Career Choice Essay Example | Topics and Well Written Essays - 3500 words

Influences of My Career Choice - Essay Example For one thing, having a job only means that I have an activity through which an individual can earn money. It is a regular activity in exchange of payment. It is not the same as having a career since having a career means that I would essentially be pursuing a lifelong ambition or the general course of progression towards lifelong goals. (Career vs. Job) So, I now knew that although I had a job, I may not want to be doing the same job for the rest of my life. Therefore, I needed to make plans that included developing a career plan for myself that I would follow until the day I retire. I need the career in order to give myself a sense of direction and financial motivation. By choosing a career for myself, I would finally be able to tell people that I knew what I would be doing for myself in the future. Techniques in career management Planning for my future career requires a more-or-less systematic approach, following those models and theories that management experts and practitioners have designed. While these are not hard and fast rules, they are advisory in providing a structure to how I am to plan out my career and work life. We will be using the Wheel of Life, the Greenhaus et al. Career Management Model, and Bolles’ (2008) Flower Diagram. Wheel of Life There are several conceptual tools which are helpful in defining our life goals and aspirations so that we could make a better choice among the possible career paths we could take. The diagram following provides a visual depiction of the theory. The wheel of life is made up of concentric circles showing graduated levels of each part. In applying this wheel in the course of deciding and building a career, it is important to balance our lives according to each part that makes up the wheel. I am aware that work and career, which is of such great importance to me, should also serve to balance personal growth and need for money against love life, hobbies and recreation, and of course family and friends. We must not also pursue career so intensely as to forget our health and fitness, particularly managing the stress that tends to build up at work. In my case, the overbearing influence of family, to be discussed later, has to be moderated by my desire for personal growth, earning money, and work and career. Even while growing up, due to our dire circumstances I was overly occupied with working due to our lack of money that I did not have a healthy balance between study, friends and recreation like other children. Over-emphasizing any of these aspects and neglecting the others will surely lead to my eventual frustration and unhappiness. The Greenhaus, et al. Career Management Model The following diagram depicts the Greenhaus, Callanan & Godshalk (2000) model. I find this model a good tool to use in trying to feel through what career path I choose for myself, and I believe I will continue to refer to it as a framework for gaining my bearings as I reach crucial junctures in my work life. T he model appears to be complicated, but I realize that I had been subconsciously doing the steps during my career planning. An instinctive awareness of my aspirations and capabilities and awareness of the desperation as well as opportunities in my environment have guided me to want better things and perceive a way to do them. Everytime I try out

The halo effect in persuasion Essay Example | Topics and Well Written Essays - 750 words

The halo effect in persuasion - Essay Example Robert Cialdini (psychology professor) suggested six principles of persuasion. These are principle of reciprocation, principle of scarcity, principle of authority, principle of commitment and consistency, principle of consensus, and the principle of liking. In this report, however, only principle of reciprocation will be discussed. According to Cialdini (2006) such a principle can be clearly seen in each of the human cultures. Principle of reciprocation requires that a person repays what another person has provided. In other words, it is like doing a favor while expecting them to return it at a later stage. The second way by which the Rule of Reciprocity may allow for a rise in the compliance makes use of a slight variation on the actual subject: rather than to provide a favor initially which would lead to a stimulation of a returned favor, a person might rather decided on a first concession which would result in a return concession. There is a certain compliance process that is called the â€Å"reject-then-retreat-technique†, or â€Å"door-in-the-face-technique†, has a major dependence upon the stress of reciprocating concessions. Through initiating with a major favor of which there is a major probability of rejection, the requester can later beneficially back away with a smaller request, which is the one that was needed since the beginning. There is a probability of such a request being accepted since seemingly it is a concession. I applied principle of reciprocation on two people. One was a friend, while other was a stranger. This helped me find whether the other person returned favor only because he was a friend and/or just being nice, or was it the principle of reciprocation. I applied both, rule of reciprocation and the reject-then-retreat technique. The rule of reciprocation failed to work with my friend,

Representation Of Women On Television Media Essay

Representation Of Women On Television Media Essay This study examines the representation of women on Television, which is one of the most debatable topics surrounding the medium and which is frequently discussed in academia and popular culture. I will be conducting my research specifically on representation of female leading characters on Law and Order: Special Victims Unit. The examination will reveal whether the depiction of main female characters on Law and Order is positive or negative. 1.1 Women on TV Joseph (2004) argues that women were underrepresented on network dramatic shows in 1950s to the 1970s, that and when they did appear, they were frequently seen in token or stereotyped roles. Although representation of women has changed greatly in the last two decades as we are progressing into a more equal society, the question is, has it really changed modern representations of women or does it merely replicate gender stereotypes (E. Dobash P. Dobash, 1998). In recent years, Xena Warrior Princess and Buffy The Vampire Slayer pioneered the use of strong leading female characters in genre of fantasy on TV. Magoulick (2006) suggests that the positive reviews of Xena and Buffy demonstrate the extent to which these women characters resonate with female viewers longing for strong role models, or even just strong female roles on television. Lavery and Rhonda (2002) argue for a contrasting depiction of Buffy while she is represented as a strong and independent feminist icon her character i s vulnerable and often shallow about her appearance (124). Xenas character helped break gender norms by coding masculine traits such as bravery, strength and aggression with feminine traits i.e. compassion and her pregnancy in Season 5 rendering gender exploration (Boze, 2011: 24). The Buffy and Xena shows both reinforce and challenge gender stereotypes of women (Reid, 2008). I am concerned with the crime genre of television which depicts women as detectives working in a patriarchal society whereas the above characters existed in the fantasy and science fiction genre. In past couple of decades, programmes like Cagney and Lacey, Cats Eyes, Prime Suspect, Silent Witness and Juliet Bravo were popular detective dramas depicted strong women which paved the way for future representation of strong female characters. 1.2 Law Order: Special Victims Unit Law and Order: SVU first aired in 1999 and is currently in its 13th season. The detectives on the team solve sexually motivated crimes and child abuse cases, and the cast includes an exceptionally strong female lead character in Olivia Benson (Mariska Hargitay) and other popular female characters such as Amanda Rollins (Kelli Giddish), Assistant District Attorney Alexandra Cabot (Stephanie March) and Assistant District Attorney Casey Novak (Diane Neal). The episodes often feature real life crime stories and create episodes based on crime stories ripped from the headlines (Green, 2009: 2). Law Order: Special Victims Unit is one of the most successful and popular spin off series of Law and Order franchise, which has won many awards as well as the 2006 Emmy for Outstanding Lead Actress in a Drama Series for Mariska Hargitay (Emmys, 2006) who describes female audiences reaction to her character Olivia Benson in Greens book Law Order: Special Victims Unit: The Unofficial Companion: As the show got more popular, I received so many emails from so many survivors. They were identifying so much with my character, identifying with this lion, this strong powerful (Olivia Benson). And then I had thirteen-years-old going, I want to be you; you are my role model. Hundreds of emails going, I want to be a cop when I grow up. And I thought this character has touched something deep in so many women and provided a safe place to goà ¢Ã¢â€š ¬Ã‚ ¦ I felt I had a responsibility. (Green and Dawn, 2009: 90) 1.3 Relevance of the Research Womens representation on television has significant value to female audiences because they view strong characters as role models. Singh, Vinnicombe and James (2006) studied career-minded women who keenly draw on role models from different aspects of life, television being one of them. They discovered that women used female characters from television as role models such as Buffy, Alias and Xena: The Warrior Princess. Analysing how female characters on Law Order: Special Victims Unit might serve as role models will provide me with the tools to examine the codes used in the portrayal of women. Research has been conducted on Law and Order: Special Victims Unit in the past, for example on the shows depiction of ethnic minorities and the victimization of women. Britto (2007, p40) has used content analysis to deconstruct the idea that women are overplayed on crime drama series as offenders and victims in her article Does Special Mean Young, White and Female? Deconstructing the Meaning of Special in Law Order: Special Victims Unit. Furthermore, there has been extensive research on representation of ethnic minorities, male and female on Law and Order: Special Victims Unit. However, my research will focus on the main female characters such as Olivia Benson (Mariska Hargitay), Amanda Rollins (Kelli Giddish), Assistant District Attorney Alexandra Cabot (Stephanie March) and Assistant District Attorney Casey Novak (Diane Neal) and deconstruction of the codes employed to characterize them. 1.4 Organization of the Chapters In this section I explain the structure of the chapters in this dissertation which will focus on literature review, methodology and findings of my research. In Chapter 1 we have already established the basis of this research which is to examine the representation of leading female characters on Law and Order: SVU. Chapter 2 will review the literature that will provide support for my arguments on themes of representation of women on TV, narrative, female heroism and women and crime genre. Chapter 3 explains the choice of methodology, research design, uses and limitations of textual analysis. It also describes the discourse analysis methodology and its use in this study. Chapter 4 consists of the analysis of the representation of female lead characters on Law and Order: SVU. It provides details of the findings including women driving the plot, women as heroes, maternal instinct and their personal lives. The collected data is analyses in this chapter to search out the result. Chapter 5 is the conclusion of this study that presents the findings and also elaborates on the significance, limitations and scope of this study. Chapter 2: Literature Review A theoretical framework will direct my research in a focussed manner whilst facilitating a proficient and comprehensive analysis. It will provide a major foundation for my investigation. As representation of women is such a diverse topic, I will focus and limit my research with the help of a theoretical framework in order to achieve an accurate conclusion. 2.1 Representation of Women on TV In order to build my research, studying the history of femlae representation in the media will enable me to understand the codes employed to construct female characters. In regards to the portrayal of women in crime genre, DAccis (1994) meticulous exploration of Cagney and Lacey will provide the perfect groundwork for my investigation. Cagney and Laceys characters were represented in unconventional way rather than the traditional ones: Its heroines were in-control protagonist who solved their own cases (both mentally and physically), were rarely presented as women in distress and were virtually never rescued by male colleagues. In addition to being active agents of the narrative they were also the subjects, but rarely the objects, of sexual (heterosexual) desire (DAcci, 1994: 5) DAcci not only examines the progression of female characters on the show but also studies the depiction of feminism on mainstream television. This will provide me thorough knowledge of what goes behind making a drama series with female lead characters and will equip me with the right tools to compare the representation of female characters on Law and Order: SVU. Furthermore, it contains other examples from the history of American television which will be beneficial for my research. Brunsdon, Charlotte and Spigels (2007) book Feminist Television Criticism: A Reader provides a detailed examination extending across television, media and screen studies and looks into representation of feminism as historical categories and political identities. This book gives a valuable analysis of women working both behind the camera and in-front of the camera as well as female audience and their response to television in their daily lives. With these sources, I will be able to evaluate the depiction of women on Law Order: SVU in regards to historical and political viewpoint. The representation of women in media has been a focal point of discussion since early nineteenth century. In 21st Century, even though television produced programs like Pan Am, Charlies Angels and The Playboy Club with female lead characters, they are still viewed through a very patriarchal ideology (Ingham, 2007). Dominicks (1979) article The portrayal of women in prime time, 1953-1977 concludes that female characters appearing on prime-time television from 1953-1977 were underrepresented on television and were frequently seen in stereotyped roles. This article will help me set the groundwork for my research as I can put female characters on Law and Order: SVU side by side with previous female representations on TV. Further research (Elasmar, Kazumi and Brain, 2009) showed that women were more likely to be shown playing minor roles and playing characters such as housewives and to be involved in a romantic relationship. I would need to further explore the depth of women representatio n on television, which will allow me to conduct adept research in this project. According to Gill (2007), the media depicts contradicting gender characteristics which will provide theoretical basis for my work in contemporary gender representations. This book also provides a theoretical tool to analyze representations of women in media. Similarly, Melanie (2011) cross-examines the construction of feminism and femininity in cinema and television in a wide variety of female-oriented programs such as chick flicks, reality shows and dramas. This book will further equip me with an understanding of the relationship between feminism, femininity, and visual culture and tools to analyze images of female representation in media. Lucia (2005) investigates the representation of female lawyers in Hollywood film such as Jagged Edge, The Accused, The Client and so forth. Although these female lawyer characters are represented as strong women, the deeper study of these films exposes inconsistent characteristics which gainsay the recognition of womens professional roles in a film. According to Lucia, these films featuring female lawyers depict: a patriarchal figure that possesses the potency, the genuine power to initiate the female lawyer into the structure of the law. These films accept law as patriarchal and the female lawyer as an inferior subject within that system. (Lucia, 2005: 19) Lucia (2005) reveals that in these films female lawyer characters are put on trial themselves for defying the traditions of femininity and patriarchal authority. This will provide a basis for analysis of female lawyer characters on Law and Order: SVU. 2.1.1. Narrative Writing the Woman In order to create empathy with characters and peak interest in the audience, formulation of the character through narrative is of the utmost importance. Character and narrative in the text have an emotional connection and resonate with the reader if they identify with the character. Hence, analysis of female representation in Law and Order SVU through their characterization in the narrative will allow me to deconstruct the text. Specific aesthetic and narrative strategies used by the producers to create characters also append to feminism and female representation (Geetha, 2007). Mulveys (1975) groundbreaking article Visual Pleasure and Narrative Cinema will greatly aid in exploring the relevance of narrative structure in construction of female characters in Law and Order: SVU. Mulvey unravels the narrative and visual techniques in cinema and describes the male cinematic gaze that objectifies the female character, hence, turning her into a spectacle, to-be-looked-at-ness (1975, 19). Mulvey (2009) revisits her theory in Visual and Other Pleasure by applying her feminist theory to more contemporary work concerning film spectatorship. She also talks about young modern woman of the 1920s in terms of images and narratives employed in Hollywood and European films, which will be relevant to assess portrayal of women in Law and Order: SVU. In regard to narrative and women representation in media, Teresa de Lauretiss (1984) work will facilitate my research in the right direction, as she investigates the structural representations of woman in cinema. De Lauretis (1984) disagrees with Mulveys (1975) theory of women representation as being permanently subjective and affirms that it is in a consistent stage of self-progression. De Lauretis believes that narrative structure draws upon the characters aspiration in social and cultural context and reproduces subjectivity. De Lauretis argues that female characters are formulated to incline towards femininity and conventionally portrayed as ideal image perceived by men (1984, 143). De Lauretiss conclusion of womens oppression by employing techniques of cinematic narration will provide a diverse perspective in representation of women in Law and Order: SVU. 2.2 Women and the Crime Genre The characteristics of gender have been reallocated in modern era in crime dramas where the female and male personalities are synthesized. The transformation also saw the shift of feminine traits of emotions, compassion and bond to traditionally masculine traits of heroism, vigor, and power giving rise to alternative action hero (Feasey, 2008: 67). In 1970s and 1980s, the crime genre progressively began depicting women as significant characters, in a TV revolution. Snauffers (2006) book called Crime Television would aid in my research tremendously as it would be interesting to re-evaluate the history of crime genre which was traditionally dominated by men (Maureen, 1988: 2). Crime dramas have dominated our television since the genre came to be, according to Snauffer (2006), crime genre echoes the cultural transformation and growth in the society. He investigates crime films and shows from 60s, 70s and 80s such as The Untouchables, The Streets of San Francisco, The Rockford Files, and Baretta which represented variant heroes in multifaceted settings. This work provides a broad history of detective and police crime shows on TV, which will contribute to my research immensely. Turnbull (2013) in her book The Crime Drama: TV Genres provides a historical study of the crime drama series as a genre, which presents a number of case studies to clarify major concerns in the course of the genre. This book will facilitate my argument as it looks at female-led crime drama series from around the world such as The Wire and The Killing which feature important female lead characters. Crime dramas generally feature subject matter related to public sphere with male dominance, however, the addition of female characters to the crime genre has enabled writers to pursue a dynamic approach concerning gender bending transgressions, domestic issues and other feminist concerns (Feasey 2008). Nevertheless, women were not always depicted as strong willed and independent on TV. Cavender (1999) examines the depiction of women crime victims by comparing episodes from reality crime program on prime time television. His analysis will be helpful in further studying the crime genre as well as involvement of women. Humphries (2009) examines women, violence, and media presentations through the lens of feminist criminology. This book contains chapters on Gendering Constructions which lays the foundation for the volume and examines media presentation of gendered violence, female killers on Law and Order and women in media. This book will give me tools to analyze the media text meticulously. In the crime genre, male protagonist used to focus on solving the crime while neglecting public concerns during the process. Attitudes started to change when women were portrayed unconventionally as brave, independent and intelligent characters breaking away from the societal norm from 70s, which resulting in writers shaping a new feminist archetype (Aisenberg, 1994). In her book Ordinary heroines: Transforming the male myth she suggests that female representation has progressed into equal active crime-solving characters with slight borrowing from conventional masculine traits, such as Dana Scullys (Gillian Anderson) character in The X Files, who was a powerful and independent professional woman even though FBI agent roles were profoundly male-dominated (240). Cuklanz and Moorti (2009) examine a wide variety of texts to delve into the representations of gendered violence against women and formulation of gender. They believe that Law and Order: SVU featuring lead female characters engage in stereotypical representation of women, showcasing violence against them which included inherent misogynist communiquà ©. Cavender and Jurik (2012) inspect the optimistic side of the representation of women on TV as they analyse Prime Suspect starring Helen Mirren as policewoman Jane Tennison in the popular British drama series where her character disrupts the conventions of the traditionally male genre (p.65). They focus on the portrayal of gender and law enforcement in the show featuring modern social tribulations where women play the central character. On one hand, Prime Suspect has become a cult hit for being an exceptionally feminist show in a traditionally male dominated crime genre. On the other hand, it is still not devoid of gender politics: while Tennisons character is shown as a successful woman she is pigeonholed as being old, lonely, obsessed with her career and friendless. Cavender and Juriks (2012) work will provide the framework to deconstruct the meanings and connotation in depiction of women in Law and Order: SVU in relations to social norm. There has been a dramatic rise in representation of women detectives in modern texts, whether be film or television, which used to be dominated by men (Mizejewski, 2004). Whilst examining Jodie Fosters character Clarice on The Silence Of The Lambs, Mizejewski believes that: Traditional Hollywood cinema has been unconsciously organized along these lines: men looking and taking action, women being looked at. The conventions of framing, lighting and editing in portrayal of women all play to these dynamics (p. 7) Tasker (2007) believes female representation has progressed tremendously in recent years with transformed and empowered gender egalitarianism; however, there is still substandard issue (? what does this mean?). Gender is a key constructor and differentiator of character in ensemble workplace dramas (Allen 2007, p 48). The meticulous examination of popular crime drama Crime Scene Investigation (CSI) in Reading CSI by Michael Allen includes the relationship of characters to their narratives and response of fans and will provide great depth and widespread views which I can apply to Law and Order: SVU during my research. 1.3 Female Heroism Gunter (1986) argues that women are represented in a stereotypical manner associating with the character traits they typically exhibit. In comparison with men, their characters were subjugated by personal relationships and family issues. However, this began to change in the 1970s when women were portrayed in more dynamic roles. Knight (2010) believes that this trend wouldnt have been possible without Sigourney Weavers character Ellen Ripley in Alien (1979) franchise, which has become an avant-garde symbol. Ellen Ripley signified the first final girl archetype, a term coined by Carol J. Clover in the book Men, Women and Chansaw: Gender in the Modern Horror Film (1992), who conquered and triumphed against an evil villain without any help or rescue from a man (p.98). Knight (2010) and Clovers (1992) examinations of women representation would aid in decoding the signs in Law and Order: SVU. Anthony (2009) believes that the progression in womens portrayal on television and film was becaus e women had taken over the market and were able to acquire positions as Producers and Directors. Consequently, women were portrayed in more heroic roles which cancelled out the notion of women as victims, resulting in a positive ideological advance (p. 80). Innesss (2004) Action Chicks is a groundbreaking collection of essays providing a new look at female action icons such as Xena, Buffy, Lara Croft and so on. These essays take a look at how recent depictions of women in action films, TV shows, comic books, and video games reflect an increased acceptance of women in traditionally male heroic or tough-guy roles. This highly specialized and scholarly study is suitable for my research and will give me context for my analysis of Law and Order: SVU. In order to analyze the representation of women in Law and Order: SVU, I will suggest that if the women embody four essential constructing features which are body, attitude, action and authority in a tough hero (Innes, 1998). Brown (1996) has the same belief about women portrayed as action heroes stating, the female action heroines body is represented by using same codes as a male hero in regards to object and subject in action films (p. 56). Goodwill (2011) agrees with Browns statement that new female action hero possesses positive masculine characteristic which were previously reserved for men only, breaking away from orthodox feminine attributes. With the fusion of traits, the earlier archetype of the hero has been amended in popular culture containing both masculine and feminine traits which will enable me to interpret female traits presented in Law and Order: SVU. Hill (1999: 38) states, action heroines are the new type of protagonists in action genre who are smarter and tougher than conventional female heroines and even their male counterparts. This new breed of action heroines contravenes not only cinematic but cultural gender codes of women being submissive and tangential characters and transform traditional cinematic depiction of women. Noble (1999) produces an innovative framework to create a new epitome of heroism for women in her book The Sound of a Silver Horn: Reclaiming the Heroism in Contemporary Womens Lives. She puts forward certain qualities that a female hero should possess to transform her and the world, such as strong-minded, valiant and a risk-taker. Harriss (2004) groundbreaking work will provide a framework for my research since she looks at the intricate representation of girls in recent history. Siehlohrs (2000) anthology investigates generic codes used in gender in regards to national identity in European films. She also examines how representations of women are affected by particular national milieu. This provides a baseline to investigate influences of societal factors on representation of women in Law and Order: SVU. Hanson (2007) proposes alternative ways of viewing classic and contemporary Hollywood heroines and the associations of gender with genre. She investigates the representation of women as the investigator and heroine in the variable context of the film industry, which will enable me to apply the same approach to my research. She confers meticulous attention to the production of narrative, actions and perception as well as negotiation of feminine self and desires across the past. Jaceys (2010) book The Woman in the Story: Writing Memorable Female Characters will be of significant value on this topic as it explains the importance of different traits, character development and gender issues in constructing a female heroine. This will allow me to dig deeper into the depiction of female characters on Law and Order: SVU such as Olivia Bensons characters role as a Detective and Alexandra Cabots character as a District Attorney. According to Knight (2010), female action heroes extensively influence individuals in society, and also reveal a lot about our society. Her analysis of female action here will help me understand Olivia Bensons character on Law and Order: SVU as she is seen as a role model and heroine to a lot of women. Furthermore, I will examine Buffy the Vampire Slayer which was a very popular show with very sharp and provocative commentaries on gender. In Undead TV, media studies scholars tackle the gender representation of Buffy and its influence on popu lar culture (Levine and Parks, 2007). Stuller (2010) illustrates the triumph of female hero in contemporary mythology which has cracked through male dominated environment and discusses the crucial role of female crime fighters in popular culture. Thornham elucidates the codes of a female hero in her book  Women, Feminism and Media: For a female character to become the hero of such a series she must appropriate agency, action, command, the occupation of public space, discursive authority and the control of the investigative gaze. All of these, of course, run counter to the norms of femininity. (p. 69) The above mentioned codes and symbols will aid in deconstructing the structure of female lead characters on Law and Order: SVU as heroes in a patriarchal society. I would be able to examine the amalgamation of feminine and masculine traits in the discourse.

A Solders Duty in Guests of the Nation Essay examples -- European Lit

War evokes different emotions and feelings for many people. Some are drafted and forced to serve, others volunteer their lives for a cause they believe in and some never even see a battle ground. Some live, some die, others are captured and become prisoners or hostages. But one thing is certain, for those who have actually seen war know first hand that it has the power to change and in most cases it does just that. In Frank O'Connor's "Guests of the Nation," two British soldiers are captured by the Irish Republic Army. Two young Irish soldiers are assigned to guard the captives. The British earn the trust and friendship of their young captors. Until one day the call of duty forces the Irish to carry out orders that forever change their perspective on the war and the duty that accompanies. In "Guests of the Nation," O'Connor uses six elements of fiction to illustrate the conflict associated with the responsibility of duty and one's personal morals in the circumstance of war. Although this is a story of war and there is obviously external conflict between the opposing countries, it is the internal conflict of the Irish soldiers Bonaparte and Noble that help the reader understand how the weight of duty ultimately defeats personal morals during war. It is Bonaparte and Noble's duty as an Irish soldiers in the IRA (Irish Republic Army) to guard the two captured British soldiers. Bonaparte feels the two men do not even need guarding, that they would not flee given the chance. He and Noble both have become bored with docile cottage life and would rather be out in the action fighting. Bonaparte soon finds out that he and Noble are going to be relived of there guarding duties but not how either of them had anticipated. "It was the... ... of something like this happening. Now he begins to feel a dilemma between what his duty might be to his country and how that duty will ultimately win out over any moral dilemma he might have to the men. All five characters in this story are faced with dilemma be true to one's self or one's country. Although war is defiantly a divider it also has the power to bring together under moral and personal circumstances. War is what brought these men together and it is what ultimately lead the physical death of Hawkins and Belcher, but it also lead to a little piece of Noble and Bonaparte dying too. This war forever changed the lives of four men because the duty of war was held in above morals and friendships. Works Cited O'Connor, Frank. "Guests of the Nation." Literature for Composition. 4th ed. Sylvan Barnet, et. al. New York: Harper Collins, 2008. 590-598.

Health and Education

Health education is an essential tool of community health. Every branch of community health has a health educational aspect and every community health worker is a health educator. But health education has been defined as a process which effects changes in the health practices of people and in the knowledge and attitudes related to suet changes. A great deal of ill-health in this country and elsewhere is due to ignorance of simple rules of hygiene or of indifference to their practical application. However, health is of the greatest importance and an indispensable factor in life.Without it a man becomes burden to others and useless to himself. In other words, health is the basis of individual and social welfare. But the concept of health and practice of health-education is almost as old as the human race. Health education has been defined as â€Å"the sum of all experiences in school and elsewhere that favor ably influence habits, attitudes and knowledge, related to individual, commun ity and racial health. † At present in our country much attention is being paid to the education for total health. Good health is a pre condition for good education.There is a saying that sound mind lives in a sound body. So, education cannot be acquired without the proper frame of the mind and proper frame of mind cannot be possible without proper health and hygiene. Realizing the importance of health education Secondary Education Commission, 1952-53 stated: â€Å"Unless! Physical education is accepted as an integral part of education and the educational authorities recognize it, need in schools the youth of the country, which form its ‘most variable asset, will never be able to pull their full weigh to national welfare.The emphasis so far has been more on the academic type of education without proper consideration being given to physical welfare and the main ­tenance ‘ proper standards of health of the pupils†. Health education is the very foundation of every successful public health programme so one of the main functions educations should be to help every child deve ­lop a healthy body, an alert mind and sound emotional attitudes. Health education aims at bridging the gulf between the health knowledge and health practices of the children.

“I know why the caged bird sings” Essay

After a childhood full of cruelties, disappointments, and being raped at the hands of her mother’s boyfriend, Maya Angelou survived and became the most important civil, human, and Women’s Rights Activist. After her rape she was silent for 5 years, and only through the encouragement of her grandmother did she start to write and act. Her writings won her world acclaim and she was nominated for the National Book Award, a Tony Award and a Pulitzer Prize. She is indisputably one of the most influential women in history. Her poem â€Å"I know why the caged bird sings† shows her grace and skill as a poet, and a humanitarian. â€Å"I know why the caged bird sings† is a six stanza poem. The poem has a very traditional structure. The first two stanzas are triplets, followed by a quatrain, then another triplet, and ends with a quatrain. It has a very simple but effective rhyme scheme. The triplet stanza has a AAB rhyme, and the quatrain stanzas have a AAAB rhyme. This poem is lyrical and intense. The themes presented in this poem are of a freedom and â€Å"triumph over adversity (Arensberg 273)†. In stanza one Angelou describes how birds in the wild have unbound freedom. She writes â€Å"leaps on the back of the wind†¦ dips his wings in the orange sunrays, (lines 1-3)† about the free birds activities. Her words affect the senses, and the reader feels the freedom the birds experience in flight. She brings nature and the outdoor elements to life and the audience is right there at play with the birds. Freedom abounds! In stark contrast, the next stanza snaps the reader back from their dreamlike state. There are a series of very strong words that create a feeling of depression, and claustrophobia. Angelou explains the life of a caged bird. â€Å"narrow cage, bars of rage, and wings clipped. (lines 3-6)† These phrases create a sense of dread and imprisonment. This evokes sympathy for the bird, and thoughts about if we were also imprisoned (Arensberg 280). The reader begins to think what is life unfair and, why that bird? and further, why me? â€Å"But a caged bird stands on the grave of dreams, (line 14)† the poem continues and yet the bird still sings. Angelou comments â€Å" The caged bird still sings with a fearful trill of things unknown but longed for still (lines 17-18)† about the bird who displays the only freedom he has at present, his voice. Pierre Walker, in his 1995 article, comments â€Å"that the bird still dreams,â€Å" and he has the determination to overcome and make the best of his situation. There is a single focus for Angelou use of alliteration in this poem. She uses the â€Å"s† sound over and over again – â€Å"his shadow shouts on a nightmare scream† (line 15). The â€Å"s† sound creates the feeling of wind, the whispering of tree leaves, the bird is scared but he sings because he can. He cannot fight his nature. He will find freedom anyway he can, and for that bird it is his singing. The use of the rhyme scheme in the quatrain portion of the poem is AAAB. The inflexibility of the first three lines in stanza 3 â€Å"thrill†¦hill†¦shrill† create the perfect path to the true theme of this poem. When the reader expects another word to rhyme it doesn’t, and the quatrain ends with â€Å"freedom. † The same is true for the last stanza, which is a repeat of the first. Liliane Arensberg explains that the rhyme reminds the reader that â€Å"there is always hope, there is always the will to survive and the promise at the end of the tunnel of light (Arensberg 289)† – of freedom. â€Å"I know why the cage bird sings† by Maya Angelou is a very popular poem. Many people find inspiration in her words, and find solace in the hope and determination that bird has. If he can sing, so can the reader. If he can survive so can you. We cannot always choose our lot in life, but we can make the best of it. We can reflect, find out talents, and give those to the world. Maya Angelou presents a very important message to the reader in the form of a very lyrical almost song like poem by using strong imagery of a bird and it’s cage, the pursuit of freedom as a theme, a strong rhyme scheme, and alliteration. Angelou skill as an author cannot easily be missed and neither can her message that we must overcome misfortune and strife to become what we were always meant to be. Works Cited Angelou, Maya. The Complete Collected Poems of Maya Angelou. 1st ed. New York: Random House, 1994. 101. Arensberg, Liliane K. â€Å"Death as Metaphor of Self in I Know Why the Caged Bird Sings. † College Language Association Journal 20 (1976): 273-91. Walker, Pierre A. â€Å"Racial protest, identity, words and form in Maya Angelou’s ‘I Know Why the Caged Bird Sings. ‘. † College Literature 1 Oct 1995. 23 Nov 2005 .

Article Review

Article Review ; Journal of Managerial Issues- Summer, 2002 Authors Names: James P. Burton Thomas W. Lee Brooks C. Holtom Research Design: A survey research deign was employed to study the performance of customer service employees with respect to their commitment to the organizations output. The surveys were carried out on the employees in one department of a big national retailer. Variables involved: The independent variables included the ability to attend work and the motivation to attend work, which were used to determine the attendance of the employees. The dependent variable was the attendance of the employees because it depended on the ability of the employees to attend or if they are motivated to do so. Relationship proposed: The relations were based on Steers and Rhodes model that proposes that attendance is predicted by motivation to attend while ability to attend has an indirect effect on attendance. Conclusion: The results of this study portrays that an employees ability work coupled with lack of motivation to attend work notably leads to his or her absenteeism. This kind of absenteeism is attributed to several family issues. On the other hand, a motivated employee may fail to attend due to such issues as illnesses and sickness. This study also supports the view that absenteeism is a multidimensional concept that should not jus be viewed in one orientation of either ability or motivation (Burton, Thomas, and Brooks, 2002). It is recommended that future researches should involve both specific and overall dimensions of absenteeism. Critique: This study has several implications on management of firms since it helps to monitor the reasons for absenteeism of employees. This study was however limited by the failure of the items for measuring ability to form the underlying construct making it impossible to determine the exact measure of attendance influenced by ability. The use of predictive design of determining the results was the strength of this article presenting the attitudes of the employees about commitment and absenteeism long before they try to do so.